What does coda mean?
Coda means (music) A passage that brings a movement or piece to a conclusion through prolongation..
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/ˈkəʊ.də/ · noun
(music) A passage that brings a movement or piece to a conclusion through prolongation..
In classical music there are, as the analytical programs tell us, first subjects and second subjects, free fantasias, recapitulations, and codas; there are fugues, with counter-subjects, strettos, and pedal points; there are passacaglias on ground basses, canons ad hypodiapente, and other ingenuities, which have, after all, stood or fallen by their prettiness as much as the simplest folk-tune.
The word “salts” has three consonants — /l/, /t/, and /s/ — in its coda, whereas the word “glee” has no coda at all.
2014, Paul Salopek, Blessed. Cursed. Claimed., National Geographic (December 2014)https://web.archive.org/web/20150212214621/http://ngm.nationalgeographic.com/2014/12/pilgrim-roads/salopek-text In gray stormy light, their painted eyes stare out at the Mediterranean—at Homer’s wine-dark sea, at a corridor into modernity. But in memory my walk’s true coda in the Middle East came earlier.
Downstairs, a little later, in the drawing room, the coda of the party was unwinding, and Gerald opening new bottles of champagne as though he made no distinction between the boring drunks who "sat," and the knowing few of the inner circle, gathered round the empty marble fireplace.
Redundancies accounted for a smaller proportion of the change, although no less significant to those affected. Rail News, BR's staff magazine, included a coda to its August 1964 assessment of the Beeching cuts: "For the individuals involved it is a worrying time [...] Rail News feels deeply for those affected and expresses the sympathy of its readers with them."
Use coda when its meaning, tone and grammar fit the full sentence. A synonym is not always a direct replacement.
Coda means (music) A passage that brings a movement or piece to a conclusion through prolongation..
Common synonyms include finale, auslaut.
Possible antonyms include anlaut, onset.
In classical music there are, as the analytical programs tell us, first subjects and second subjects, free fantasias, recapitulations, and codas; there are fugues, with counter-subjects, strettos, and pedal points; there are passacaglias on ground basses, canons ad hypodiapente, and other ingenuities, which have, after all, stood or fallen by their prettiness as much as the simplest folk-tune.
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