What does contrapposto mean?
Contrapposto means (art, especially sculpture, uncountable) The position of a human figure whose hips and legs are twisted away from the direction of the head and shoulders; (countable) an instance of this..
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/ˌkɒntɹəˈpɒstəʊ/ · noun
(art, especially sculpture, uncountable) The position of a human figure whose hips and legs are twisted away from the direction of the head and shoulders; (countable) an instance of this..
The Archaic kouros was always callipygian, the large buttocks more stressed and valued than the face. But the buttocks of the Kritios Boy have a feminine refinement, as erotic as breasts in Venetian painting. The contrapposto flexes one buttock and relaxes the other. The artist imagines them as apple and pear, glowing and compact.
The difference can be seen in the two competition reliefs for the doors of the Florence Baptistery by Lorenzo Ghiberti and Filippo Brunelleschi[…]: Ghiberti (right) offers a relaxed demonstration of his skill, close to the dancing definition of contrapposto, whereas Brunelleschi (left) proffers several tautly knotted contrapposti.
The hawkers' athletic contrappostos, intellectual and imaginary rather than plausible, speak of the mind's superiority to the body.
Yes, the difference between the expressive faces and baroque contrappostos of the figures on the Antonine panels and the squat, awkward bodies of the Constantinian frieze is interesting to note, but neither era's relief panels on the Arch are wholly indicative of the visual culture of their respective moments.
Use contrapposto when its meaning, tone and grammar fit the full sentence. A synonym is not always a direct replacement.
Contrapposto means (art, especially sculpture, uncountable) The position of a human figure whose hips and legs are twisted away from the direction of the head and shoulders; (countable) an instance of this..
The closest synonym depends on the sentence and intended sense.
The opposite depends on the specific sense.
The Archaic kouros was always callipygian, the large buttocks more stressed and valued than the face. But the buttocks of the Kritios Boy have a feminine refinement, as erotic as breasts in Venetian painting. The contrapposto flexes one buttock and relaxes the other. The artist imagines them as apple and pear, glowing and compact.
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