What does disanthropy mean?
Disanthropy means (literary criticism) A misanthropic desire for a world without human life, expressed in literature..
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/dɪsˈænθɹəpi/ · noun
(literary criticism) A misanthropic desire for a world without human life, expressed in literature..
[pages 40–41] D. H. Lawrence, enthused and infuriated by [Friedrich] Nietzsche, entrusted to his alter ego Birkin in Women in Love a desire that I will call "disanthropy": […] Lawrence may have yearned for a world without people, but it was Virginia Woolf's To the Lighthouse that first explored disanthropy as a formal problem. […] [page 44] Alongside the varied disanthropies of Michael Snow, Werner Herzog, Claude Nuridsany and Marie Pérennou, however, other possibilities of formal (usually partial or strictly provisional) impersonality emerge: […]
Disanthropy is the imagination of the world without humans, inspired by the resurgence of millennial Christianity in the eighteenth century and the discovery of 'deep time' following the publication of [Charles] Lyell's Principles of Geology[…].
Disanthropy constitutes a formal challenge, as most literary and artistic forms and genres imply a human voice, character, or perspective, which complicates the representation of (often far future) worlds without us.
Use disanthropy when its meaning, tone and grammar fit the full sentence. A synonym is not always a direct replacement.
Disanthropy means (literary criticism) A misanthropic desire for a world without human life, expressed in literature..
The closest synonym depends on the sentence and intended sense.
The opposite depends on the specific sense.
[pages 40–41] D. H. Lawrence, enthused and infuriated by [Friedrich] Nietzsche, entrusted to his alter ego Birkin in Women in Love a desire that I will call "disanthropy": […] Lawrence may have yearned for a world without people, but it was Virginia Woolf's To the Lighthouse that first explored disanthropy as a formal problem. […] [page 44] Alongside the varied disanthropies of Michael Snow, Werner Herzog, Claude Nuridsany and Marie Pérennou, however, other possibilities of formal (usually partial or strictly provisional) impersonality emerge: […]
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